Abstract—Minangkabau is one of the ethnic groups in
Indonesia. This ethnic group is usually known by
rumah makan
padang or traditional food stall with spicy and delicious food in
it, or by the people’s specific choice of earning their living such
as being a seller or entrepreneurs. On the other hand, every
ethnic group has a symbol or other visual identity use for their
identification.
Rumah Gadang, the traditional house of
Minangkabau, is one of the symbolic representations of
Minangkabau’s self identity. The unique visual form of
Rumah
Gadang can be seen in many visual identities of Minangkabau’s
people in daily basis, such as for
rumah makan padang’s logo,
stall’s identity, corporate identity, or as a virtual identity and a
profile picture in social network site such as Facebook. This
phenomenon is becoming the visual language in Indonesia’s
culture. With this paper, I intend to analyze the visual form of
Rumah Gadang as the symbolic representation of
Minangkabau’s ethnic identity. Focused on
Rumah Gadang as a
visual object, the analysis is using semiotic method. Based on
Pierce’s theory of semiotics,
Rumah Gadang is becoming the
icon of Minangkabau’s ethnic group and becoming their ethnic
identity. The result is the classification of
Rumah Gadang as a
symbolic representation of ethnic identity.
Index Terms—Identity, Minangkabau, representation,
Rumah Gadang.
Elda Franzia, Yasraf Amir Piliang, and Acep Iwan Saidi are with the
Faculty of Art and Design, University of Trisakti, Bandung Institute of
Technology (ITB), Bandung 40132, Indonesia (e-mail: eldafranzia@
gmail.com, ya_piliang@yahoo.com, acepiwansaidi@fsrd.itb.ac.id).
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Cite: Elda Franzia, Yasraf Amir Piliang, and Acep Iwan Saidi, " Rumah Gadang as a Symbolic Representation of
Minangkabau Ethnic Identity," International Journal of Social Science and Humanity vol. 5, no. 1, pp. 44-49, 2015.